Escaping Flatland

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Relationships are coevolutionary loops

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Relationships are coevolutionary loops

Looking for Alice, part 3

Henrik Karlsson
Oct 31, 2023
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Relationships are coevolutionary loops

www.henrikkarlsson.xyz
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This is essay is part of a series, but it can be read independently. The first part, “Looking for Alice,” I wrote for two friends who wanted to know how I thought about finding someone to share your life with. The second part, “Dostoesvky as lover,” was about open dialogue in relationships.

Relationships are coevolutionary loops

A polaroid photo by Andrei Tarkvosky

“Dependence is scorned even in intimate relationships, as though dependence were incompatible with self-reliance rather than the only thing that makes it possible.”

 ― Maggie Nelson, The Argonauts

When I meet a person who is truly, profoundly themselves, I sometimes think of a letter Charles Darwin sent to Joseph Hooker in January 1862 after receiving a package of orchids. 

“Good heavens,” Darwin wrote about the Angraecum sesquipedale, an orchid from Madagascar with a nectary as long as his forearm, ”what insect can suck it?”

There must exist a pollinator moth with a tongue longer than any that has ever been observed, he conjectured later. The moth and the orchid must have evolved in dialogue.

This is what I infer when I see someone who is comfortable in their unique strangeness, too. There probably exists someone who enabled that evolution of personality. A parent, a friend group, a spouse. It is rare for people to come into themselves if no one is excited and curious about their core, their potential. We need someone who gives us space to unfold.

For me, this is Johanna. We first met when she was 21 and I was 22 and later became a couple. What is me in me has unfolded primarily in her company. This has been a mutual unfolding; we spoke each other into being.

This essay is about how we made our first home together. By home I don’t mean just the physical structure, but the emotional space in which the coevolutionary loop plays out.

Constraints and creativity

In December 2014, Johanna and I were sitting at the bus station in Cochabamba, central Bolivia, talking about our future. We’d been a couple for 18 months at this point. The last ten weeks, we’d spent moving between empty hotels along the Peruvian coast and up the Andes, scribbling in our notebooks, reading, getting to know each other better. In another two weeks, we’d be heading home.

I was happy with the way my life was back home—living in a small Swedish city, writing, and letting life carry me along. When I imagined the future, I saw myself at my desk, as I sat every day, typing poems. As for the city outside of the window, I vaguely assumed it would gradually transform into New York or some such place. Not that I cared about cities, or anything much beyond books and conversations, but I figured with the self-assurance of a 23-year-old that if I kept writing, the natural thing to do was to let myself be sucked up into the literary world. 

Johanna was more clear about what she wanted from life. She wanted to live frugally, she wanted to have the autonomy to pursue her interests without thinking about money, and this meant she was going somewhere no one wanted to live so rent was cheap.

This was what we were discussing at Cochabamba bus terminal, while ticket sellers announced their services by singing the names of destinations, their voices weaving together into a soft murmur under the arched sheet metal roof.

Having diverging goals was the sort of thing that had, in previous relationships of mine, been a source of conflict. But with Johanna, there was rarely such friction. It was more like our conflicting needs were two equations, and our task was to figure out where they intersected; the hardness of the problem wasn’t personal.

Now, it wasn’t obvious that our lives would have a solution that satisfied both. Sometimes people intersect at one point in time and love each other, but then the arrows of their lives continue in separate directions. When I contemplated this possibility, I saw myself sitting in New York at 40, Johanna somewhere in the forests where Sweden bleeds into Norway, both thinking, it didn’t really get better than that. 

But was there a solution? 

It was hard to tell, but this wasn’t necessarily a disadvantage. The hardness of the problem might even be a good thing, I figured: it would force us to be more creative. When you write classical poetry, as I liked to do, you impose strict rules on yourself to deliberately make it harder to say what you want—and this is what makes poetry come alive. W.H. Auden, the British poet, praised metrical rules because they “forbid automatic responses, force us to have second thoughts, free from the fetters of Self.” The same thing is true for relationships, I reasoned: I could chart a path through life that made no compromises for others, and it would go where I wanted it to; or I could impose the much stricter rigor that comes from aligning my trajectory with Johanna’s, seeking mutual flourishing, and I’d be surprised where life would take me.

“Here’s an idea,” I said, taking a napkin I had stuffed in my pocket when we ate breakfast at the Calama market. I drew a blueprint of my mother’s parent’s house.

“I figure they will move out in a few years,” I said. “We could wait for that and buy their house.”

It was not going to be as cheap as the stuff Johanna had in mind, but we could buy it off market—it might be within our shared budget, and it was close to the city and the airport. Moving to the small town where my mom grew up? It seemed like a lame direction for our lives to take. But the more we spoke about it, the more it seemed to fit. 

I got up, walked over to the internet café, and checked my email. Mom had written.

My grandparents were selling the house.

A relationship is a coevolutionary loop

Two truths approach each other. One comes from inside, the other from outside,

and where they meet we have a chance to catch sight of ourselves.

—Tomas Tranströmer

The house, built by my grandfather and two teenagers he hired in 1957, was conceived a simple cube of bricks perched atop a small hill. But over six decades, it had grown and changed, adapting to its environment and its inhabitants. My grandfather bricked over a window to make the living room easier to furnish. A door was moved, walls put up. In the 1970s, a new wing was added, going out at a southwestern angle to create a warm, shielded terrace on the backside, where they could grow grapes and block out the prefabricated houses that were creeping up around them. 

This process of gradual adaptation, which Stewart Brand calls how buildings learn, is a type of coevolutionary loop, like that which fitted the orchid to the moth and vice versa: the house was changed to fit my grandparent’s life, but the house also changed them.

Because of this loop, the house, when Johanna first visited in February 2015, felt deeply human in a way that new houses do not. The design choices were layered with insights that had occurred over decades of lived experience. It was an architectural manifestation of my grandparents.

When they went out into the kitchen to put on coffee, leaving us alone in the living room, Johanna silently worded, “Yes.”

Not all houses age like this. For it to happen, the mathematician and architect Christopher Alexander writes, the design must allow you to “mess around with it and progressively change it to bring it into an adapted state with yourself, your family, the climate, whatever.” Often, modern houses make this harder. They force you to live inside a preplanned, static vision. Unresponsive to your evolution, they alienate. 

There is a corollary for relationships. Some relationships are hard, or even impossible, to change. As an individual, you grow—but your father won’t acknowledge that change or adapt to it, and the relationship gets stuck. Other relationships are fluid and open-ended, they grow to fit you better and better the more time you invest in them, like an old house where you rearrange the walls, doors, and furniture until the light falls just right.

Johanna is inherently on this more fluid and responsive side, that was one of the things that attracted me to her. She listens in a way that makes it possible for me to say things that I have not said before (she had this effect on my grandparents, too, getting them to share things I’d never heard them talk about: the hard years when the triplets were born; the years before running water when they’d sneak out to pee at night and bats would land on my grandma’s head, shining blonde in the moonlight). Johanna is conscientious about making sure she understands, asking many detailed questions. She listens, holding you to what you say. This made living and growing with her (relatively) easy.

Talking for hours every day, new insights would continually arise, and we could rapidly turn those ideas into reality. We were relentless. Everything we did was fast, it had been so since Johanna let me close. There was no holding back after we started hanging, no waiting to answer messages; there was an unbridled curiosity and openness towards each other, a shared longing to learn and develop in every way, and this led to a rapid progression. If our relationship was going to break, it was as if we wanted it to break fast.

It took us two months to go from talking about moving in together to signing the papers on the house. On the train back from the visit to my grandparents, I was on the phone with my father, discussing how to draw up the contract.

And then the loop went on: living in the new situations we created, we got access to new experiences which we rapidly brought to the surface. We kept on iterating. Changing our environment and our relationship, learning, and changing things again.

A note on speed

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